Three sisters who once dreamed of singing Kabir on stage return to music years later, navigating the space between domestic life and public voice, dream and reality, and discovering what it means for a woman to sing even when no one wants her to.

In a remote tribal village, a community unearths an age-old well, reviving not just their water source but their deep-rooted cultural and spiritual ties to nature. Bhaavi is an observational portrait of resilience, indigenous knowledge, and the fragile balance between humanity and ecology.

‘The Great Indian Illusion’ is an unsettling journey through India’s banking system, unravelling the invisible machinery of debt, power, and privilege shaping the nation.

The film follows a toddler Simran, affectionately nicknamed Jilipibala, as she explores the miniature cosmos of a giant tamarind tree located in the Vidyasagar Colony of South Kolkata.

Arupa Rupa (Formless Form) explores the spiritual and transformative journey of Mahima Swamy and Bhimabhoi, whose religious movement challenged caste hierarchy and social exclusion in India.

A photographer encounters a mysterious woman whose image cannot be captured. Six years later, a note in a vast photo archive leads him back to her, sending him on a journey through photographs, memory, and absence.

Chaawal exposes the stark contrast between the tireless, backbreaking labor of Indian farmers and the staggering wastage of tons of rice during the traditional Akshata ritual at lavish Indian weddings. Through heartfelt interviews with farmers, priests, and citizens, the film uncovers the economic and cultural roots of this wasteful practice.

When does a river start dying? Who will remember the river once it disappears? Blending observation, oral histories, and personal narration, the film moves between memory and the present, revealing how ecological change quietly alters landscapes, livelihoods, and cultural traditions as the community learns to live with its absence.

Filmed observationally for 5 years, I, Poppy is an intimate film about the intertwining but divergent paths of poppy farmer Vardibai and her activist son Mangilal as they grapple with systemic oppression.

Close Up/Up Close is a non-fiction testament to the volatile magic of live theatre, capturing the intense, physical journey of adapting Alfred Jarry’s 1896 absurdist masterpiece, Ubu Roi.

A Good Wife is a deeply personal exploration of womanhood, marriage, and freedom within an Indian Marwari Hindu community. The film is an attempt to reclaim agency, question inherited beliefs, and spark dialogue on autonomy and identity.

Metancherry is an unconventional graphic trip to a geographical space like Mattancherry near Cochin, Kerala. Here, the past meets with the present in the common meta space.

In a quest to assert their identities as women auto rickshaw drivers, Mohana and Leela Rani navigate the heavily male-dominated streets of Chennai. Their personalities collide and unite while they lead a mobility revolution consisting of a growing network of women drivers.

Within the bustling corridors of a Dehradun police station, a remarkable form of justice unfolds as Officer Sandhya and her all-women team mediate troubled marriages in northern India.