The Hornbill Festival in Nagaland is an annual state-sponsored event spread over several days in Kisama (Naga Heritage Village), where the culture of different Naga tribes is show-cased. Fly Past, Hornbill is a video essay that unpacks different layers of the festival – the performance and staging of culture, the engagement of tourists, commercialisation, political instrumentalization and military presence.

In 2021, the filmmaker lived and recorded in Ratnagiri, documenting the lives of four Nepalese migrant laborers in a mango orchard. The film, The Orchard and the Pardes reveals power struggles between the workers, their employer, and the filmmaker, and explores the complexities of power dynamics at the micro level.

If I Could Tell You invites viewers to reflect on the universal human need for expression and the many different ways we all strive to communicate our truths

Inside the walls of B25 is a sanctuary, where lives intersect, stories intertwine and people flourish. The film offers glimpses of these unconventional bonds and experiences, that reframe notions of home and belonging, while reflecting on queerness, love, chosen families, gender, violence, identity and freedom, against the backdrop of a rapidly changing country.

Hello Guyzz! is a reflection of modern day India, where cheap internet, longing to become the next big star, and high aspirations are a reality. But so are class, caste and gender differences.

Slaves of the Empire unfolds against the backdrop of colonial-era Fort Kochi, a picturesque town in Kerala. The film delves deep into the ordinary existence of a dhobi community, laundry workers who were enslaved by the Dutch during the colonial era.

Two friends, both indigenous Koli fishermen in Bombay, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.

Humare Beech Mein is a conversation between two women about making a film on caste. How do we film caste? What do we show? What do we hide? Who has access? Who refrains?

The Books We Made' is a documentary inspired by the work of Urvashi Butalia and Ritu Menon, both of whom co-founded the first feminist publishing house in India: 'Kali for Women'. The film is about the joy and pain of surviving in two non-lucrative professions: that of writing for small, discerning audiences, and that of publishing, translating and promoting work barely known outside its own linguistic region in India.

In Tora, an Indian village on the border with Myanmar, the rhythm of life is set by daylight and darkness. But the village is on the verge of change: electricity is finally coming. Will it bring this close-knit community the progress it is hoping for?

Umbro, the threshold of a home, is the liminal space that speaks to the lives of women, including the filmmaker's mother and her friends who live in the small town of Dhrangadhra in Gujarat, India. The film explores joyful friends...

'Rasan Piya' is a documentary on the life of renowned Hindustani classical vocalist, Ustad Abdul Rashid Khan, who represented the 16th generation of Miyan Tansen's lineage. The film explores the various influences that have shaped his life and music, a life steeped in the rich culture of Awadh.

The everyday lives of three female labourers working in a brick kiln takes an upsetting turn after an unexpected rainfall halts their work. What unfolds is a threatening tale of unorganized labour and economic debts in a rapidly urbanizing India.

In no sense, takes us on an intimate journey through a woman's complex relationship with the haunting reality of child sexual abuse. Through a unique interplay of movement and behind-the-scenes moments, it explores the complexities of trauma and attachment, memory and the body, inviting reflections on the possibility of healing and recovery.

​The director visits her late grandfather's house to mourn his death with her grandmother. Once there, ugly truths about what kind of a man her grandfather was begin to surface.

Otgo, 11, is the youngest of a family of herders in the Gobi desert. Proud of her freedom when she sings on her camel, alone among the dunes, lovingly caring for baby animals, listening carefully to her father's advice, happy when dancing on the stage of her village while dreaming of becoming a dancer in Ulan Bator's Opera, will she be strong enough to follow a different path cut off from her roots?

'Trolley Times' is a portrayal of the historic and the largest sit-in protest, perhaps ever staged in the world, primarily by the farmers of Punjab and Haryana on the borders of Delhi from November 2020 to December 2021 against the three new farm laws passed by the Union government. The title itself is derived from the newsletter 'Trolley Times' that was started as a voice of the protest by a group of activists.

In an increasingly hostile environment of escalating violence, discrimination and disenfranchisement, Arbab explores what it is like being a Muslim in the country. The film ebbs and flows between looking outside in his surroundings, where a constant stream of hate erupts and engulfs all sides, and inside, where Arbab’s parents back home renegotiate their sense of identity with a changing political reality.

A ship berthed at Gadani and the shipbreakers coming from all over Pakistan to break it, discovers that they might have more in common than otherwise imagined, when they enter into a conversation

The long history of baking in North Kerala from 1880s to its everyday practice and labour today, intermingled with filmmaker's own memories of it.

Indian Prime Minister Indira Gandhi abruptly proclaimed a 'internal emergency' in June 1975, imprisoning her opponents and stifling the media. The largest democracy in the world endured a virtual dictatorship for 21 months.

A small film crew observes the poetic world of renowned Bharatanatyam exponent, choreographer, and teacher Navtej Singh Johar through a three day workshop at his home in Sonipat, Haryana. The participants go through an introspective journey through movement as they explore touch, intimacy, and expression. As questions emerge in space, the borders between observing, capturing and thinking being collide.

Andro Dreams is the love story of Laibi, an old woman with spirited soul, and her three-decade old all girls football club battling economic challenges, patriarchal system and orthodoxy in an ancient village of northeast India.

And Towards Happy Alleys is a passionate declaration of love for the cinema and poetry of Iran which also provides a frank view of daily life and bears witness to a fearless generation raising its voice and implacably demanding its civil liberties.

Prisoner No. 626710 waits interminably for a bail hearing in court…Meanwhile, two friends who await his release reminisce and discuss the events and the circumstances that led to his incarceration.

Gurgaon, India's Millennium City, promises many opportunities - but, for women, it also poses specific challenges. Through women's personal narratives, the film explores their experiences of living and working in Gurgaon and illuminates the gendered nature of urban Indian life.